视频简介
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。一名风流的汽车推销，员工作不忘泡妞，活得不亦乐乎，谁知倒楣事接连发生：前妻要钱、情妇要人、混混要讨债、上司要他成打订单否则叫他滚蛋···。接著一名女职员的丈夫气极败坏地持枪闯进公司，扣留所有人质，誓言找出太太的情夫，大难临头之际，他要如何靠三寸之舌摆平危机？！以脱口秀起家的罗宾威廉斯，以他幽默戏谑、说话彷如连珠炮的喜剧风格，演出本片小人物打误撞立大功的喜闹情，表现得活灵活现，令人捧腹叫绝。加上提姆罗宾斯突破演出戴绿帽的短路丈夫，疯狂的表现更添张和笑料。。
