视频简介
女星瑞德曾經紅極一時，隨著年齡增長，她的演藝事業開始走下坡，經紀人昆頓也把全部心力集中在照顧更年輕、更當紅的潘妮洛普身上。瑞德決定走險招賭一把，她把電視主持人及攝影師找來，答應給他們一則獨家新聞，當採訪開始時，瑞德拋出一枚震撼彈，她將一把沾滿鮮血的兇刀放在桌上，不僅承認刀子上的血跡正是女星潘妮洛普所有，更表明警方已經在趕來的路上。這一切究竟是怎麼一回事？是瑞德出於忌妒殺了潘妮洛普，還是兇手另有其人？。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。迫于生计，中年丧妻的自由作家大和充（吹越满 饰）与正在读高中的女儿爱实（黑川芽以 饰）搬到了一幢新公寓内。这幢公寓历史悠久，里面住着许多友善的房客。但是在这和气的表象下，爱实却隐隐感到不安。这里有着奇怪的规定，比如午夜12点前要回到公寓门口的白线内；名字里有“爱”的名字不能提；面色苍白、飘忽不定的沉默少女……这一切都折磨着爱实的神经。从前住户真理子的口中，她得知房东女儿的灵魂久久盘桓于此，在过去30年里已经有13户人家死亡。所有的住户都逃不出幽灵的控制，唯一生还的准则只有一个，那就是新住户搬进来，最老的住户便可以搬出去…… 本片根据《新耳袋》改编。。