视频简介
工程师阿历克斯（丹尼尔·布鲁赫 Daniel Brühl 饰）时隔十年重回家乡工作，接下为母校设计新型机器人程序的工作，他遇到一个叫伊娃（克劳迪娅·维加 Clàudia Vega 饰）的小女孩，觉得她与众不同，邀请她来帮助自己进行工作——研究伊娃的行为模式，以完成心中完美小孩的程序。接触之下，阿历克斯发现伊娃是自己前女友拉娜（玛塔·埃图娜 Marta Etura 饰）的女儿，而十年前正是自己的不告而别，令拉娜伤心之下嫁给他们共同工作伙伴戴维（阿尔贝托·阿曼 Alberto Ammann 饰）。因为伊娃的缘故，和拉娜重新接触之下，尘封了十年的三角恋似乎又要重演，而阿历克斯的工作也遭遇了瓶颈，一场意外，让阿历克斯发现伊娃身上令人悲伤的秘密……。钢琴家普拉东的妻子开车撞死了人，为了妻子，普拉东甘愿顶罪。在审判前的一个星期，普拉东赶回家见父亲的一面。途中，他经过了一个普通的、喧哗的车站。车站餐厅里，普拉东和美丽女服务薇拉相遇了。两人一开始因为普拉东抱怨餐厅的服务而互相结怨，尔后，普拉东和薇拉越聊越投契，普拉东还到了薇拉家作客。两人的爱情之火就在点点滴滴中点燃了，最终步入爱河。普拉东入狱了。在难得的家属探视日，薇拉千里迢迢来看普拉东了。两人在监狱外的木屋内度过了难忘的一晚。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。